How did becoming showrunner for the final season raise the stakes for you? But it felt like we had a chance to tell a story with a sense of resolution where it didn’t feel like we were going to tie it into a bow because that doesn’t reflect the world that we live in.Īs co-creator, you’ve been a key member of the Narcos creative team since the Netflix franchise launched in 2015. There’s no end to poverty, desperation, corruption. Because, unfortunately, the phenomenon of the drug game continues, and there is no end to it. At least personally, this season, we had a chance to tell an emotional story that would have some sense of resolution for our characters but wouldn’t feel overly neat and tidy. We definitely don’t want to repeat ourselves, ever. So, as you were working on the story, it just made sense to end it here? It was not a done-done decision as I knew it, but I think it was definitely close to that and soon became a final decision. And then, as we were still in the writing phase, things became official. There was a sense coming into it that this would probably be. Did you know the show was ending when you took over? You took over as showrunner for Narcos: Mexico season three, and it was later announced that the third season would be the last. America has a drug problem.”īelow, in a chat with THR, Bernard discusses the systemic failures in the drug war (“You’re sort of trying to put out a fire with a squirt gun”), notes how the final scene of the series - the lingering question around Amado’s mysterious death - represents the “lack of black-and-white answers in the drug trade,” and explains why the cyclical (and cynical) ending to Narcos could never be a neat and tidy one. “Mexico doesn’t have a drug problem Mexico has a corruption problem and a poverty problem. “American consumption is the battery that gives life to this entire drug trafficking situation,” says Bernard, reiterating a point that Narcos has been making now for six seasons. You Can Get Direct Google Drive Link with High Speed Below.Beyond the main narco storylines, the franchise features its first female narrator in Luisa Rubino, who plays journalist Andrea and serves as a gateway to exploring how the “shadow of the drug industry cast over society feels bigger” in 1990s Mexico, as well as across the border in the U.S. This Film/Movie Also Available in Dual Audio.
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